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  • Ivan Saul Cutler
    Happy father, husband and friend; enthusiastic quidnunc, quick wit, insatiable desire for truth and honor
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« March 2008 | Main

April 25, 2008

Getting Published: What the Nationals Want

By Sarah Gallop
 
Let start by expelling the myth: you don't need to design a young royal's yacht to get featured in a national publication. Nor do you need a celebrity's mansion, a private jet, or a financier's Balinese summer villa. Of course, these things may help your chances! But more notably, and we are seeing this more and more, you need something—anything—that captures beauty and efficacy in its own inimitable way. In the words of Paige Rense, nothing is too small, or too simple, to be overlooked. Brand-new or classic, whimsical or unforgettable, magazines want something unique.
 
Take the current cover of The New York Times Home & Garden section. What could possibly be unique about a renovated 1913 tutor home with no landscaping and no designer in Akron, Ohio? And yet, further probing reveals that the eccentric owner David Giffels once “tried to evict squirrels from the house by playing guitar really loudly,” and that he personally re-caulked the house's 733 windowpanes. Most notably, he is debt-free.  
 
Now that, Rense would agree, is distinctive. Just as distinctive as the leather matchbook cover and the Japanese tea whisk recently featured in the pages of Architectural Digest , or the simple art deco of Dominique, covered in the May issue of Elle Décor , but wowing the design world for the past 85 years.
 
How does this affect your designs? In the words of former House and Garden editor Mayer Rus, a national publication needs a project with flair, and not just a bit. Mansion or condo, the designer needs to push the impulses he or she has to give the space IMPACT. So should you spice things up with interesting trends or tap into Bas paintings or Nakashima-esque benches? Not necessarily, as the trends you use could be stale by the time the project is completed—or worse, cliché (ahem, Hermès orange and brown). First and foremost, you must be yourself. Push your own boundaries, personalize your point of view, and heed this advice: make it beautiful, make it utilitarian, but most of all make it different.

April 08, 2008

Many Alternative-Energy Solutions Lack Aesthetic Appeal

Untitled Document

By Rachel Ward

With the mainstream public's perception and what were once touted as radical environmental views reconciling on the importance of energy and natural resource conservation, why aren't more homeowners electing to renovate in environmentally-friendly ways? Could it possibly be due to do with the fact many of the newest in environmentally friendly furnishings and accents are still a little rough around the edges, like how dingy the den looks with compact florescent lighting, or how rough the loveseat feels when upholstered in coarse, organic wool.

International government-approved initiatives and incentives for homeowners, who redesign their homes to meet energy-efficient standards, include:

  • Awarding grants to homeowners who surpass energy-efficient standards

  • Loaning and providing tax breaks for homes built before a certain year to tackle energy-efficient problems at the root, rather than cherry-pick quick-fix solutions

  • Requiring major gas and electricity suppliers to meet a certain energy-saving target by a projected date—thus prompting the suppliers to persuade their customers to adopt energy-saving measures

  • Launching competitions to design low-cost, environmentally friendly lighting products tailored to local markets needs

  • Requiring that utilities increase their use of renewable sources of energy such as solar power, solar-thermal technology and biomass/organic materials

The Wall Street Journal recently reported the initiatives of nine cities world wide that are helping lead the way in how to easily implement energy-saving and money-saving methods. In the meantime, consumer will still struggle between saving a dollar by living green and enjoying in-home luxury that appeals to all six senses.

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